Monthly Archives: April 2014

“BRAINS!!!”

The Zombie, as an archetype, is perhaps the most socio-political monster of them all. It says, in effect, “Your neighbors want to kill you, so maybe you should kill them first.” Although its many cultural incarnations all reflect the universal … Continue reading

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The Times, They Are A’Changin’ (Music, Magic & History, Part VI)

I throw myself on the altar of your art. Publicist Diane Gardiner, to Jimi Hendrix Change comes from unlikely places… in this case, coffee dens, German nightclubs, second-hand blues records, and a collection of recordings made decades ago. In the … Continue reading

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Mystic Rhythms: Rumble (Music, Magic & History, Part V)

If I could find a white man who had the Negro sound and the Negro feel, I could make a billion dollars. – attributed to Sam Phillips, owner of  the Memphis Recording Service, and the man who “discovered” Jerry Lee Lewis, Johnny Cash … Continue reading

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Mystic Rhythms: Anything Goes (Music, Magic & History, Part IV)

The sound is the freedom. The chord don’t mean nothing.– Ornette Coleman, interviewed in Andrew Zuckerman’s book Music   (Image from Powerchords: Music, Magick & Urban Fantasy; art by Bryan Syme) If blues is the Devil’s music, then its offspring … Continue reading

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Art: A Spectrum Theory

As I often say, Art exists along a spectrum between Expression and Communication: the Artist expresses, and the Audience understands. (Dark Side of the moon REMAKE2, by Norman Bates.)  In what I call “the Spectrum Theory of Art,” artistic creativity … Continue reading

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